Why did Frankenstein kill Henry?
Why did Frankenstein kill Henry?
In Frankenstein, the monster kills Henry Clerval as an act of retribution. The monster is filled with rage after watching Victor destroy the female companion that he had longed for, so he kills Victor’s friend out of revenge.
Who actually killed Henry Clerval?
Victor Frankenstein
Who does the monster kill in Mary Shelley’s Frankenstein?
The monster kills Victor’s younger brother William upon learning of the boy’s relation to his creator and makes it appear as if Justine Moritz, a young woman who lives with the Frankensteins, is responsible.
How did Frankenstein’s monster kill?
At first, the Monster wants to befriend William, a small child the Monster calls “beautiful.” However, when William screams in horror upon seeing the Monster and then unwittingly reveals that he is a member of the Frankenstein family, the Monster becomes seized with rage and chokes William to death.
Why is the monster in Frankenstein innocent?
Innocence lies in having no sense of guilt for any action of yours, this, Victor did clearly not have. The creature couldn’t stop himself from destroying Victor, because Victor couldn’t stop himself from creating the creature. The creature was an innocent; it only reacted to the actions of society.
Is the monster in Frankenstein a tragic hero?
In conclusion, Mary Shelley, the author of “Frankenstein” did indeed give some characteristics to her monster that make him a tragic hero. At the beginning of the story, he only wants to be accepted and loved by mankind. He contributes to society and tries to make life better for individuals.
What is Victor Frankenstein’s tragic flaw?
Hamartia is a literary term that refers to a tragic flaw or error that leads to a character’s downfall. In the novel Frankenstein, Victor Frankenstein’s arrogant conviction that he can usurp the roles of God and nature in creating life directly leads to ruinous consequences for him, making it an example of hamartia.
Can Frankenstein be thought of as a tragedy?
Frankenstein is simultaneously the first science-fiction novel, a Gothic horror, a tragic romance and a parable all sewn into one towering body. Its two central tragedies – one of overreaching and the dangers of ‘playing God’, the other of parental abandonment and societal rejection – are as relevant today as ever.